I use Cubase, Soundhack, Metasynth, Soundforge besides AudioMulch.įor my studio work, I use a combination of this equipment with the emphasis being on AudioMulch for creative sound design.įor the live acoustic guitar and electronics work, I use the setup described above. For synths and drum machines, I use the Access Virusb, Waldorf Blofeld, Korg n5, Korg er1 and Machine Drum. For hardware FX units, I use the Eventide Eclipse, TC Electronic Fireworx, Lexicon MPX100, Lexicon Vortex and Korg Kaoss Pad. I have many electric guitars, a unique handmade Togaman violguitar, many analog pedals including the whole Moogerfooger collection, Zvex, MXR and Electroharmonix pedals.
#SPECTRAL SHAPERS BY SOUNDHACK SOFTWARE#
As a composer, I definitely believe that one should have access to both unique hardware and software gear. What are your studio and live performance setups?īesides my software setup, I have a big collection of hardware equipment.
#SPECTRAL SHAPERS BY SOUNDHACK PATCH#
Besides this complex routing system, I also control selected parameters in real-time either with a MIDI controller, the Metasurface, with the mouse or as automations in the timeline.Ī screenshot of Erdem's AudioMulch patch for "Shadow My Dovetail" from his album Altered Realities. These FX include the DLGranulator, FrequencyShifter, Nebuliser, DigiGrunge and lots of VST plug-ins. This mixing system includes a total of 48 (and sometimes more) different channels of FX that are all very different from each other and all routed to each other in a special way. I have created a very complex mixing, routing system within AudioMulch. This allows me to send these two different systems to each other for more interesting sonic results. The outputs of AudioMulch and the Fireworx get connected to the mixer too. Through the two aux sends, this signal gets routed to AudioMulch and TC Fireworx. The guitar signal is routed to the compressor, the acoustic DI and then finally to one of the mixer channels. This setup includes an Ovation custom legend 1869 electric-acoustic guitar, a Sansamp acoustic DI, a Carl Martin compressor, a Behringer FCB 1010 MIDI foot controller, a TC Electronic Fireworx hardware multi effects processor and a small analog mixer. I use Audiomulch with my acoustic guitar setup. How do you use AudioMulch in live performance? Similar to my pop work, I export these sonic creations to be used within the final mix. These setups may involve the use of tens of plug-ins at the same time and automation of hundreds of parameters. For my film and electroacoustic work, I create more complicated setups. For pop production, I process things like the drum tracks and vocals in AudioMulch and export these new processed files for use in the final mix of the song. I use it in every aspect of my work: film music, electroacoustic composition and pop music production work. How does AudioMulch fit into your sound design and production process?Įrdem: I can say that Audiomulch is one of the most important sound design tools for me.